Board and Staff

David Bennett is the General Director of San Diego Opera. Under his leadership since 2015, the Company has embarked on a series of community-based initiatives including a citywide Listening Tour series, free public performances, and family-friendly operas to better serve the diverse San Diego region. In 2016, the Company debuted its wildly popular dētour Series, which explores the expressive nature of opera with the potency of intimate theater. Prior to San Diego Opera, David was Gotham Chamber Opera’s Managing Director and Executive Director, and prior to that was at Dance New Amsterdam (DNA), Lower Manhattan’s center for dance education, creation, and performance, where he served as Managing Director. While at DNA, he led a $5.7 million capital campaign for DNA’s new home and oversaw the organization’s emergence as a significant producer of modern dance in New York City. Mr. Bennett was a Senior Consultant with Arts Resources International, where he provided a range of advisory services to non-profit arts organizations, including project feasibility studies, financial operating estimates, economic impact and market analyses, and fund-raising feasibility studies.

Before working in Arts Administration, he enjoyed a successful career in opera, appearing as a baritone with a number of companies and orchestras throughout the United States, including The Dallas Opera, the Dallas Symphony, Skylight Opera Theater, and Florentine Opera of Milwaukee. Mr. Bennett holds both an M.B.A. and an M.A. in Arts Administration from Southern Methodist University in Dallas, TX and has served on the Board of Directors of OPERA America.

Maestro Yves Abel is San Diego Opera’s Principal Conductor. He made his Company debut in 2013 for performances of The Daughter of the Regiment. He returned in 2014 for Pagliacci, in 2016 for Madama Butterfly, and was last heard locally in 2019 for performances of Carmen. He is the Chief Conductor designate of the NordwestDeutsche Philarmonie, Germany. A frequent guest with the world’s great opera companies, Yves Abel has conducted performances at the Royal Opera House, Covent Garden; La Scala, Milan; the Metropolitan Opera, New York; Lyric Opera of Chicago; San Francisco Opera; Seattle Opera; Glyndebourne Festival; Bayerische Staatsoper; Opéra National de Paris; Netherlands Opera; Grand Théâtre de Genève; Teatro San Carlo, Naples; Teatro Communale Bologna; New National Theatre, Tokyo; Welsh National Opera and Opera North. He has conducted new productions in Liceo (The Pearl Fishers), Munich (I Capuleti e i Montecchi), Geneva (Les Vêpres Siciliennes), Barcelona (Madama Butterfly), Bilbao (Norma), Toulouse (Lalo’s Le Roi d’Ys and The Tales of Hoffmann), Lisbon (Il Turco in Italia), Naples (Gounod’s Faust), Dallas (Ermione), Seattle (Il trovatore and Heggie’s The End of Affair), Monte Carlo Opera (Il Turco in Italia) and Santa Fe (Così fan tutte), and at the festivals of Pesaro, Caramoor, the Menuhin festival in Gstaad, and the Spoleto festival in Charleston and Spoleto, Italy. As Principal Guest Conductor of the Deutsche Oper, Berlin from 2005 to 2011, he conducted new productions of Don Pasquale, Simon Boccanegra, d’Albert’s Tiefland, and Carmen, as well as performances of The Marriage of Figaro, La traviata, Dialogues des Carmélites, La bohème and Carmina Burana. He is a frequent guest at the Vienna Staatsoper where his repertoire includes The Daughter of the Regiment, The Elixir of Love, Carmen, Madama Butterfly, Simon Boccanegra, A Masked Ball, and L’italiana in Algeri. In concerts he has performed with the Copenhagen Philharmonic Orchestra at the Tivoli Festival, the RTE National Symphony Orchestra, Dublin, the Rotterdam Philharmonic, the Orchestre du Capitole de Toulouse, the Stavanger Symphony Orchestra, and the Filarmonica Arturo Toscanini in Parma. He has also conducted the Toronto Symphony, Montreal Symphony, Netherlands Philharmonic, San Francisco Symphony, Orchestre National de Lyon, Orchestra of St. Luke’s New York, the Royal Liverpool, the Haydn Orchestra in Bolzano and the orchestras of Genoa, Naples, and Palermo among others. A Franco-Canadian, he has a particular affinity with the French repertoire and has won significant critical acclaim for his achievements as founder and Music Director of L’Opéra Français de New York, with whom he has regenerated rare French operas and also performed the world premiere of Dusapin’s To be Sung. Since 1994, the company has performed regularly to capacity audiences at the Lincoln Center. He conducts at various festivals around the world including the Rossini Opera Festival in Pesaro and the Glyndebourne festival, among others. His recordings include Thaïs with Renée Fleming and Werther with Andrea Bocelli (Decca), Madama Butterfly with the Philharmonia Orchestra (Chandos), and two discs of French arias, one with Susan Graham and the City of Birmingham Symphony Orchestra (Erato) and the other with Patricia Petibon and the Orchestra of the Opéra National de Lyon (Decca). His most recent recording, ‘Romantique,’ is a disc of romantic arias with Elīna Garanča on Deutsche Grammophon. In 2009 he was awarded the title Chevalier de l’Ordre des Arts et des Lettres by the French Government.